The Unworthy, 1962

8 male - 4 female

Rina (Cyprus) Katselli

Inspired by the anti-colonialist struggle of EOKA (National Organization of Cypriot Fighters) in 1955-59 in Cyprus, the play presents the collectiveness of that struggle, in which all the Greeks of the island participated. The events are presented through the involvement of a priest’s family, while in parallel we see the story of his son’s love affair with one of his comrades.

The play won the first prize in Cyprus Intellectual Cultural Development (1962). It was staged by the Cyprus Organization for Theatrical Development (OTHAC) in Cyprus and in Nicosia. It was staged by a Cypriot troupe in London and presented in Cypriot television by the Cyprus Broadcasting Corporation (ΡΙΚ) in 1963.

PLAYS

The cousin, 1959

9 male - 3 female

The Iron Spoon, 1960

3 male - 4 female

And The Unworthy, 1961

5 male - 2 female

The Unworthy, 1962

8 male - 4 female

Pitsillos, 1962

11 male - 6 female

Sunday Doxology, 1963

5 male - 3 female

35 Aeschylus St., 1963

8 male - 4 female

Dr Ahmet Alibey, 1964

5 male - 4 female

Ppevlianis, 1966

14 male – 7 female (and a few females singing)

Moribund, 1967

7 male - 6 female

What the Robot has put together, 1968

5 male – 5 female, and a robot

Arkastos (La Graminia), 2001

4 male - 3 female

From Sunday to Sunday, 1999

5 male - 2 female

The Upper Neighborhood, 1998

4 male - 3 female

Going Strong..., 1994

5 male - 4 female

Foreign Land, 1988

9 male – 3 female

Crazy Grandma, 1986

5 male - 4 female

Dsas, 1982

1 female

The Reason why Valou left, 1981

5 male – 5 female

A Hideout in Cyprus, 1968

8 male - 1 female

Old Lady Agathe, 1968

9 male - 5 female

The Roof, 1968

5 male - 4 female

Unslaved Olive Tree, 1981

8 male - 6 female

Suicide Documents, 1968

2 male – 1 female

A priestess, 1968

8 male - 8 female

Blue Whale, 1979

6 male - 7 female

The Slaves, 1968

5 male - 2 female

ESSAYS

RINA'S KATSELLI THEATRE

Undoubtedly, Rina Katselli is one of the most important figures in contemporary Cypriot dramaturgy. The representational strength, the plausibility...