Love is the basic pattern that Dimitriadis poses, exposes and transposes in this play, via a series of dysfunctional relationships which he pushes to their limits; a woman who left the marital home returns, and her husband avenges her with epic cruelty; a woman kills both her husband and her lover; a man shoots his psychotherapist/lover; the love triangle of the gay couple who share the same lover is proven utterly surreal: they kill and cut him up, so that each one can have half of his body.
The play is not exhausted in a mundane metaphor about passion as an impossible momentum, but explores the possibility of escape from the vicious circle. Thus the repetition; her role is other than to simply confirm Fate’s dominance.
There are four acts, each one “divided” in two: the square and the circle. We start with the square and finish in the circle.
Published and premiered in French, in 2010 – Odeon theatre, directed by Giorgio Barberio Corsetti. Released in Greek in 2013, by Nefeli publications.
8 male - 6 female
Flexible
3 male - 3 female
7 male - 2 women
1 male - 2 female
Monologue
6 male - 4 female
7 male - 3 female
8 male - 3 female
4 male - 4 female
5 male - 6 female - 2 children
5 female, 4 male and 4 chorus women
3 male - 2 female
15 (Chorus)
2 male - 3 female
1 male - 2 female
Translation: Elena Delliou
In 2009, Giorgio Barberio Corsetti directed Howard Barker's Gertru...
Dimitris Dimitriadis was born in Thessaloniki. In 1963, with a scholarship from the Belgian state, he studied theater and cinema in Brussels at the...
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