In Annunciation, Cassandra decides to negotiate herself her personal myth – which depicts her loveless and hostile to any erotic proposal –, radically disproving her commonly-known and well-established image. She turns into her opposite. Cassandra’s past situation is everyone’s past, and her present one is everyone’s present. The doomed past and invigorating present become, through her enthusiastic monologue, the opposite poles where every individual can find himself and be given the opportunity to choose which path to follow – it is all about personal choice, not external coercion. With her frantic narration, Cassandra shatters all past commitments, exposing their failure and declaring, as a fiery advocate, passion’s absolute prevalence in every person’s life.
PLAYS
The Price of Resistance in the Black Market, 1968
8 male - 6 female
Dying As a Country, 1978
Flexible
The Beginning of Life, 1995
3 male - 3 female
The Stunning of Animals before the Slaughter, 2000
7 male - 2 women
Settlement Proceedings, 2003
1 male - 2 female
Insenso, 2007
Monologue
Chrysippus, 2008
6 male - 4 female
Touching the Seabed, 2008
7 male - 3 female
The Circle of the Square, 2009
8 male - 3 female
Interest, 2010
4 male - 4 female
Civilization: A Cosmic Tragedy, 2013
5 male - 6 female - 2 children
Evacuation, 2013
5 female, 4 male and 4 chorus women
Phaethon, 2009
3 male - 2 female
In Chorus, 2015
15 (Chorus)
Reaping, 2016
2 male - 3 female
Stroheim, 2015
1 male - 2 female
ESSAYS
DIMITRIS DIMITRIADIS' THEATRE
Translation: Elena Delliou
In 2009, Giorgio Barberio Corsetti directed Howard Barker's Gertru...
In Chorus by Dimitris DImitriadis
Dimitris Dimitriadis was born in Thessaloniki. In 1963, with a scholarship from the Belgian state, he studied theater and cinema in Brussels at the...
