Vitriol, 2010

7 male – 2 female [Minimum: 5 male – 2 female]

Yiannis Mavritsakis

Set in a contemporary context of disclosure, the play tells the story of a boy who lives on the edge of reality, converses with the forces of chaos and vacillates between the corrosive power of life and its denial.

 

PLAYS

The Blind Spot, 2006

8 male – 3 female [Minimum: 5 male – 3 female]

Wolfgang, 2007

5 male – 3 female [Minimum: 4 male – 3 female]

Fucking Job, 2008

1 male – 1 female

Vitriol, 2010

7 male – 2 female [Minimum: 5 male – 2 female]

Redshift, 2012

3 male – 2 female [Minimum: 2 male – 2 female]

The Invocation of Enchantment, 2014

6 male - 2 female ( Minimum: 5 male - 2 female) and a small brass ensemble

Quasar, 2015

Without any casting restrictions

ESSAYS

YIANNIS MAVRITSAKIS' THEATRE

"I love life very much, but this does not mean that I do not see the reality. Our very nature, our making, compels us to carry on, to cherish even ...