And so a new era begins, 1968

Rina (Cyprus) Katselli

A social play. It projects the faith of people in the fact that there will always come a better and more ideal time, where they will not have to live in servitude like they now do.

PLAYS

The cousin, 1959

9 male - 3 female

The Iron Spoon, 1960

3 male - 4 female

And The Unworthy, 1961

5 male - 2 female

The Unworthy, 1962

8 male - 4 female

Pitsillos, 1962

11 male - 6 female

Sunday Doxology, 1963

5 male - 3 female

35 Aeschylus St., 1963

8 male - 4 female

Dr Ahmet Alibey, 1964

5 male - 4 female

Ppevlianis, 1966

14 male – 7 female (and a few females singing)

Moribund, 1967

7 male - 6 female

What the Robot has put together, 1968

5 male – 5 female, and a robot

Arkastos (La Graminia), 2001

4 male - 3 female

From Sunday to Sunday, 1999

5 male - 2 female

The Upper Neighborhood, 1998

4 male - 3 female

Going Strong..., 1994

5 male - 4 female

Foreign Land, 1988

9 male – 3 female

Crazy Grandma, 1986

5 male - 4 female

Dsas, 1982

1 female

The Reason why Valou left, 1981

5 male – 5 female

A Hideout in Cyprus, 1968

8 male - 1 female

Old Lady Agathe, 1968

9 male - 5 female

The Roof, 1968

5 male - 4 female

Unslaved Olive Tree, 1981

8 male - 6 female

Suicide Documents, 1968

2 male – 1 female

A priestess, 1968

8 male - 8 female

Blue Whale, 1979

6 male - 7 female

The Slaves, 1968

5 male - 2 female

ESSAYS

RINA'S KATSELLI THEATRE

Undoubtedly, Rina Katselli is one of the most important figures in contemporary Cypriot dramaturgy. The representational strength, the plausibility...